| Ten years on from 
                  Independence, and Jamaica’s people began to notice they were 
                  worse instead of better off. The island was gripped by 
                  unemployment, crime and violence, and as so many of the 
                  emerging generation of Jamaicans, who had grown up with 
                  Independence, were victims of this, they reacted with the most 
                  potent weapon at their disposal – music. As the 1970s 
                  unfolded, subject matter changed to give voice to the protests 
                  the people wanted to express against the government, while 
                  urging their fellow youth to stick to the path of 
                  righteousness. 
 Large numbers embraced Rastafari as 
                  being not only a manifestation of what they wanted from the 
                  government – a forcefully honest doctrine of peace, love and 
                  anti-corruption – but presenting an alternative way of living 
                  within the grinding poverty that had become commonplace. They 
                  espoused the teaching of Marcus Garvey (self-help and 
                  repatriation) to provide hope. As many musicians locksed up, 
                  Rasta’s influence over the sounds became obvious: much of 
                  reggae’s inherent sunniness seemed to cloud over: the bass got 
                  deeper and more pronounced; the tempo slowed down 
                  portentously; and lyrics frequently spat fire and brimstone. 
                  It was dread.
 
 It was also the period that saw reggae 
                  being taken seriously by rock fans around the world as a music 
                  that had something to say - punks in Britian adopted roots 
                  reggae as a big part of their soundtrack, identifying closely 
                  with its sense of alienation. During the roots era, artists 
                  like Burning Spear, Culture, The Congoes, Big Youth, The 
                  Mighty Diamonds, Dillinger, Tapper Zukie, Lee Perry, The 
                  Ethiopians and Max Romeo became cult heroes, while the roots 
                  movement’s figurehead Bob Marley became the most famous 
                  Jamaican ever.
 
 
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