From Roger Steffens regarding "Old Fire Sticks" 4/9/02 Hi Mike, You may post this if you wish for all those inquiring about Bunny's book: Leroy Jodie Pierson and I have been working on Bunny Wailer's autobiography, "Old Fire Sticks," since October of 1990. It has been a long and arduous process. Sixty-four hours of interviews had to be transcribed - that took years and filled 1,800 pages. The index alone is 45 pages. For example, every time the Lee Perry period was mentioned, we had to locate and review what Bunny told us. Ultimately, all of this raw material had to be synthesized into an accurate chronological account. Next, because the book is intended for an international English-speaking audience, we had to refine the patois into a more understandable form but also retain the natural rhythm and poetry of Bunny's speech. Three completed chapters - on the Wailers return to Nine Mile and retirement from the music business in 1967; on the founding of their own Wail 'n Soul 'm record label; and on Bunny's ganja arrest, trial and 14 month imprisonment - w ere given to him in Colorado in September of 1998. Since then he has not read them. Obviously Leroy and I cannot continue until we have his approval of this literary "voice," this style. If he really doesn't like how it reads, then we'll have to find another way. But I'm not going to go ahead and write an entire book and then have him tell me it's not how he wanted it. This is supposed to be, after all, a collaboration. So the ball has sat in Bunny's court for 3 1/2 years now, and he doesn't seem to be in any hurry to move it forward. He told me a couple of years ago that I should come to Florida "and read it to" him. I don't have that kind of time, neither does Leroy. We have been working with no money in all this time, no contract, and mounting frustration. This is largely due to the fact that the information in Bunny's story is unique, thrilling, controversial, amazingly detailed, corrosive, amusing, and ultimately the Wailers' own history as only he himself remains to tell it. And for all those who have passed in the last decade, without ever having read this story, my heart goes out. Every day we lose more of the warriors who were there in the days this remarkable tale was being lived out - they're the ones who need - and would appreciate it - most. So Bunny is robbing his own fans - and ultimately the world, and allowing other (predominantly non-Jamaican) writers to weave the story in their ways, not his. He often complains bitterly about distortions in the Wailers history, so it is his duty to set the record straight. I had hoped to play a part in that vital work, but now I have doubts that it shall ever be accomplished in my lifetime. My heart is lighter, however, with the knowledge that these interviews do exist - on tape and paper - in several secure locations, so that ultimately our children's children will have a fuller story than we seem destined to discover. At least it's there. Why is Bunny reacting this way? I don't know. I can tell you that his recently deceased drummer/band leader Carl Ayton, pulled me aside at the opening night party for my exhibition at the Queen Mary last year. Bunny had been the promised headliner, and he sent his entire 18 member entourage ahead the day before the Friday night party - but Bunny never showed up until late Sunday afternoon. "Roger," said Carl, "you know Bunny is never going to finish that book." Stunned, I asked why. "In order to get his royalties from the Marley box 'Songs of Freedom,' he had to promise Rita Marley no to publish his book." If this is so, Bunny never told us, but his silence, and continuing refusal to re-engage his work, speak for themselves.